Narrative chain of cause and effect

The plot, as a concept, draws our attention to the idea of CAUSE AND EFFECT. When events are tolls in the orders on which they occur, the audience’s sense of an event’s consequences tends to be straightforward. Often, authors.

Cause = Normally are detective films

One opening event causes things to splinter apart for the main character in your novel. After that, there’s a chain of events that are all linked and caused by the ones that precede them.

A story moves from choice to consequences, from stimulus to response, from cause to effect. This happens to result of each scene set the stage for the next, as every action and every line of dialogue affects what comes next.

An event’s effect on a character should be immediately evident to readers. Even if the character is trying to ignore or repress a response. Every action should be justified by the intersection of setting, context, pursuit, and characterization. They all need to make sense. They all need to fit.

Cause and effects are usually characters, which have particular traits such as attitudes, habitats, skills and psychological drives. They do play causal roles in the story action and have a particular narrative function. Events in films are set by motions particularly. Sometimes apparently minor details can infect, play major causal roles. Filmmakers can often choose when to suppress causes and provokes curiosity. Indeed, some films can deny us knowledge of causes or effects even at the end, which will lead us to speculate.